Sound you can trust.
When you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris®-series monitors deliver a smooth and accurate frequency response, powerful Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Whether you’re recording your first album or your latest hit, Eris monitors will ensure your vision is heard.
Woofers that deliver a cleaner overall sound.
Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E5’s five-inch woofer helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.
Smooth high end.
Each Eris monitor is equipped with a silk dome tweeter designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies.
Monitors you can customize.
Today’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.
Connect to virtually any line-level source.
With three different types of audio inputs, it’s easy to feed audio to your Eris monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. With this selection, you’ll have no problem hooking your Eris speakers up to virtually any line-level source.
Features
Components and construction
- 5.25-inch woven composite low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- Front-firing acoustic port for superior bass-frequency reproduction
- Optimized, resonance-suppressing internal bracing
- 102 dB maximum continuous SPL
User controls
- HF Driver Adjust (±6 dB, continuously variable)
- Midrange Driver Adjust (±6 dB, continuously variable)
- Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
- Highpass filter (Off, 80 Hz, 100 Hz)
Power and safety
- 70 watt, Class AB biamplification
- RF interference, output current limiting, over-temperature, transient, and subsonic protection
- Amplifier “soft start” feature eliminates popping on power-up
- Internal power supply with IEC connector
- Power switch with on/off LED
Inputs and outputs
- Balanced XLR/¼-inch
- Unbalanced RCA inputs
Technical Specifications
Inputs
1- Balanced XLR 1- Balanced ¼” TRS 1- Unbalanced RCA
Performance
Frequency Response 53 Hz – 22 kHz Crossover Frequency 3 kHz LF Amplifier Power 45W HF Amplifier Power 35W Peak SPL (@ 1 meter) 102 dB LF Driver 5.25” HF Driver 1” silk dome Input Impedance 10 kΩ
User Controls
Volume Range A-type taper MF Control -6, 0, +6 dB HF Control -6, 0, +6 dB Low Cut Flat, 80 Hz, 100 Hz Acoustic Space Flat, -2 dB, -4 dB
Protection
RF interference Output-current limiting Over-temperature Turn-on/off transient Subsonic filter External mains fuse
Power
100-120V ~50/60 Hz or 220-240V ~50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width 7” (178 mm) Depth 7.68” (195 mm) Height 10.24” (260 mm) Weight 10.2 lbs (4.63 kg)